Courtesy of Finn's Girl.
The main characters
Butch lesbian doctor who runs an abortion clinic, wears a leather jacket and rides a motor bike.
Lesbian abortion doctor’s late partner who was also a lesbian abortion doctor and died of breast cancer
Their bratty daughter
Her (possible) sperm donor father
Tough but understanding black lesbian cop who takes care of everybody
Another lesbian abortion doctor
Bratty daughter’s sensitive straight male friend who has evol fundamentalist Christian parents
The plot features
Murderous pro-life protestors (who don’t notice the contradiction in their position)
Driven Lesbian abortion doctor refusing to give up the clinic because it was her partner’s life's work, despite attempts on her own life and her daughter’s not unreasonable fear of getting killed
Bratty daughter acting out, feeling like a “freak,” shoplifting from local gay book shops and stealing her remaining mom’s dope
Black lesbian cop trying to shake some sense into everyone
Sensitive, wise beyond his years, male friend informing bratty daughter that one lefty feminist mom is much better than two evol Christian fundamentalist parents who want to send you to boarding school the first chance they get
And, because this film goes beyond the call of radical lesbian-feminist duty, a plot twist involving PARTHENOGENESIS.
Some of my favourite lines (paraphrased)
Sperm donor to lesbian doctor: “She was your WIFE!” (I really hope the novelty of this kind of dialogue wears off soon).
Lesbian cop: “Isn’t the butch femme thing a little passé?”
Lesbian doctor: “I’m just sick of the way the male medical establishment has fucked women over.”
Lesbian cop: "I saw your partner speak at a rally once." (trans. you are in serious radical feminist film territory now baby)
And the classic lesbian break up line: “I don’t have to deal with this shit!” (because you don't)
At one point, I think one of the lesbians behind us was actually crying, I hope not because she was overwhelmed by seeing our lives so accurately represented.
But, I really don’t want to put you off seeing this movie. For a film based almost entirely on lesbian clichés and stereotypes, in which the radical feminist agenda does get just a tiny bit in the way of the art, the plot doesn’t make sense and there are far too many threads left unresolved at the end, I found it marvellously entertaining. If it had been made in 1977 it would have been a classic and could now form the basis for a pretty good lesbian drinking game. Also in its favour, the two main actresses are hot and do look like real-life lesbians, which is huge boon in these post L-Word days.
When the lights went up my friend said “I really can’t decide if that was bad or good.” I think I’m going to go with “both.”
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